When handling works on paper, you should touch the surface as little as possible. When you have to touch it, keep your fingers away from the image. Works executed in pastel and charcoal require extra care as the medium can easily be smudged, damaging the image. As far as possible, keep works on paper framed with an acid-free mount that will minimise friction and static. Care should also be taken while handling prints, as their paper is easily stained with oils and moisture present in our skin
Wall
Some basic checks for the display wall
The most basic rule with lighting an artwork is to avoid displaying the artwork in direct sunlight. Exposure to strong artificial light for extended period is also not advisable as fixed lights over an artwork may cause localized heating. Lights should be placed a minimum of 10 feet from the artwork to avoid this. The recommended lighting for paintings is 50 lux. Light levels can be measured using a camera's light meter.The most basic rule with lighting an artwork is to avoid displaying the artwork in direct sunlight. Exposure to strong artificial light for extended period is also not advisable as fixed lights over an artwork may cause localized heating. Lights should be placed a minimum of 10 feet from the artwork to avoid this. The recommended lighting for paintings is 50 lux. Light levels can be measured using a camera's light meter.
If the paperwork is face with a glass or acrylic sheet, this will need to be cleaned regularly. To do so, spray glass cleaner onto a soft cloth and wipe the sheet with it. Never attempt to clean the paper surface, as the medium can often smudge. Cleaning can be carried out by fully qualified, professional conservators.
Why do works of art on paper need protection?
Paper is highly sensitive to the environment and is adversely affected by light, humidity and temperature changes. Paper also reacts to any material with which it is in contact, including mounts, tape and dust. This kind of damage results in mount burns, foxing (small rust-like brown spots), fading of the medium and an increase in the brittleness of the surface.
The frame comprises:
It is important that works on paper be opened every couple of years to air the artwork, and clean any dust that might have accumulated inside the frame.
If you are not displaying your works on paper, the best way to store them is in a plan chest (used for architectural drawing and blueprints) or another specially designed case that protects them from humidity, light and dirt. Acid-free and inert folders or portfolios can also be used within such chests or cases, but must always be placed flat or horizontally. If you are storing several works in one drawer or folder, interleave them with acid-free tissue paper or glassine .Normal plastic sleeves are not recommended for storing paperworks. A stable storage environment is very important, and fluctuations in temperature and humidity, particularly in the short term, must be minimised. The best environment for the storage of artworks is a cool, dry one with good air circulation. Always seek professional advice for other storage requirements specific to your collection.
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